Kendrick VS Drake
Diss Timeline
The Heart Part 6
Drake
In the latest development of the Drake-Kendrick Lamar feud, Drake drops 'The Heart Part 6' as a direct response to Kendrick's recent slew of diss tracks. The title cleverly plays on Kendrick's 'The Heart' series, and Drake uses the opportunity to deny the allegations made against him, claiming that his own team fed Kendrick false information about his supposed secret daughter. Drake also accuses Kendrick of domestic abuse and questions his relationship with his fiancée and manager. The track is a mix of pointed jabs and introspective moments, with Drake expressing disgust at the pedophilia accusations and suggesting that Kendrick's trauma may be fueling his attacks. While Drake seems to be waving a white flag by the end, it remains to be seen if this is truly the final word in this explosive rap beef.
Not Like Us
Kendrick Lamar
Kendrick Lamar's 'Not Like Us' is a scathing diss track aimed at Drake, released just a day after 'Meet the Grahams.' Produced by DJ Mustard, the song is a relentless assault on Drake's character, with Kendrick making explosive allegations of pedophilia and predatory behavior. He also mocks Drake's supposed cultural appropriation and lack of authenticity, branding him a 'colonizer' in the rap game. Kendrick's delivery is fierce and unapologetic, as he takes shots at Drake's inner circle and even references his use of AI to recreate Tupac's voice on an earlier diss track. The cover art, depicting Drake's mansion marked with pins representing sexual predators, adds to the track's controversial and inflammatory nature. 'Not Like Us' is a powerful display of Kendrick's lyrical prowess and his willingness to go all-in on this high-stakes rap feud.
Meet the Grahams
Kendrick Lamar
Kendrick Lamar's 'Meet the Grahams' is a deeply personal and scathing attack on Drake and his family. Released just hours after Drake's 'Family Matters,' the track sees Kendrick addressing Drake's son, parents, and alleged secret daughter directly. He paints Drake as a manipulative, narcissistic figure who has hidden children and mistreats women. Kendrick also suggests that Drake is hiding sexual predators within his inner circle and that his mansion is due to be raided by authorities. The song is a masterclass in the art of the diss track, with Kendrick's intricate wordplay and relentless flow leaving no stone unturned in his character assassination of Drake. The cover art, featuring a box of Ozempic with Drake's name on it, is a dig at the rapper's alleged use of the diabetes medication for weight loss. 'Meet the Grahams' is a powerful and controversial addition to this rapidly escalating rap beef.
Family Matters
Drake
Drake's 'Family Matters' is a nearly eight-minute, three-part diss track aimed at Kendrick Lamar, released in response to Lamar's 'Euphoria' and '6:16 in LA.' The song is a deeply personal attack, with Drake suggesting that Lamar's child was fathered by his manager, Dave Free, and alleging that Lamar is abusive towards his fiancée, Whitney Alford. Drake also takes shots at several other rappers, including Rick Ross, The Weeknd, and Pharrell Williams. The track showcases Drake's lyrical versatility, as he switches between aggressive, boastful bars and more introspective, emotional moments. The accompanying music video adds to the track's impact, featuring the destruction of a van from Lamar's 'Good Kid, M.A.A.D City' album cover. 'Family Matters' is a powerful and controversial addition to the ongoing feud, with Drake pulling no punches in his attack on Lamar and his personal life.
6:16 in LA
Kendrick Lamar
Kendrick Lamar's '6:16 in LA' is a cleverly titled diss track aimed at Drake, released just days after his scathing 'Euphoria.' The title mocks Drake's penchant for using timestamps and locations in his song titles, while also referencing the date of Tupac's birthday and the O.J. Simpson trial. Produced by Taylor Swift's frequent collaborator Jack Antonoff, the song sees Kendrick claiming to have operatives within Drake's OVO Sound label, painting him as a 'fake bully' and a 'terrible person.' Kendrick's flow is relentless and intricate, as he dissects Drake's persona and accuses him of being a culture vulture. The track is a masterful display of Kendrick's lyrical prowess and his ability to craft a compelling narrative within the context of a diss track. '6:16 in LA' adds fuel to the already raging fire of this rap beef, with Kendrick showing no signs of backing down.
Euphoria
Kendrick Lamar
Kendrick Lamar's 'Euphoria' is a blistering, six-and-a-half-minute diss track aimed at Drake, marking a significant escalation in their ongoing feud. The song, which shares its title with the HBO series that Drake executive produces, sees Lamar launching a multi-pronged attack on his rival's character, skills, and personal life. Lamar questions Drake's parenting abilities, mocks his alleged plastic surgery, and dismisses his talent as a rapper. He also calls out Drake's use of ghostwriters and his tendency to jump on popular trends. Lamar's delivery is fierce and unrelenting, as he positions himself as the voice of the culture and the biggest threat to Drake's dominance. 'Euphoria' is a tour-de-force of lyrical skill and a powerful statement of intent from Lamar, who seems determined to dethrone Drake as the king of hip-hop.
Taylor Made Freestyle
Drake
Drake's 'Taylor Made Freestyle' is a controversial diss track aimed at Kendrick Lamar, released as a follow-up to his 'Push Ups.' The song features AI-generated verses from Tupac and Snoop Dogg, which Drake uses to goad Lamar into responding. However, the use of Tupac's likeness without permission led to a cease-and-desist from the late rapper's estate, forcing Drake to remove the track from social media. In his own verse, Drake accuses Lamar of delaying his response due to the release of Taylor Swift's album, mocking his collaborations with pop artists. The track is a bold and unconventional move from Drake, who seems intent on pushing the boundaries of the rap beef format. While the AI-generated verses were met with mixed reactions, 'Taylor Made Freestyle' showcases Drake's willingness to take risks and his determination to keep the pressure on Lamar.
Push Ups
Drake
Drake's 'Push Ups' is a hard-hitting diss track aimed at Kendrick Lamar, released in response to Lamar's verse on 'Like That.' The song sees Drake asserting his dominance in the rap game, dismissing Lamar's claim to be in the 'Big Three' with him and J. Cole. Drake name-drops several artists he believes have surpassed Lamar, including SZA, Travis Scott, and 21 Savage, while also taking shots at Lamar's label, Top Dawg Entertainment. The track showcases Drake's lyrical versatility, as he switches between boastful, aggressive bars and more introspective moments. Drake also takes aim at several other rappers, including Rick Ross, Future, The Weeknd, and Metro Boomin, who he accuses of siding with Lamar in the feud. 'Push Ups' is a powerful statement from Drake, who seems determined to defend his position at the top of the rap game against all challengers.
7 Minute Drill
J. Cole
J. Cole's '7 Minute Drill' is a diss track aimed at Kendrick Lamar, released in response to Lamar's verse on 'Like That.' The song's title references Cole's writing exercise, in which he challenges himself to write as much as possible in seven minutes. In the track, Cole interpolates lyrics from JAY-Z's 'Takeover' and takes shots at the consistency and quality of Lamar's discography. He claims that Lamar's second album 'put n****s to sleep' and that his latest offering was 'tragic.' Cole positions himself as the true 'God MC,' claiming that he could drop two classic albums back-to-back if he wanted to. However, just days after the song's release, Cole publicly apologized for the track and had it removed from streaming services, citing a change of heart and a desire to keep things friendly with Lamar. '7 Minute Drill' is a brief but impactful entry in the unfolding Drake-Kendrick Lamar feud, showcasing Cole's lyrical skills and his conflicted feelings about engaging in rap beef.
Like That
Future, Metro Boomin, and Kendrick Lamar
Like That' is the explosive collaboration between Future, Metro Boomin, and Kendrick Lamar that kicked off the latest chapter in the simmering feud between Lamar and Drake. Released as part of Future and Metro Boomin's album 'We Don't Trust You,' the song features a scathing verse from Lamar, who dismisses the idea that he is part of a 'Big Three' with Drake and J. Cole. Lamar asserts his dominance, claiming 'it's just big me,' and compares himself favorably to Drake, saying 'Prince outlived Mike Jack.' The verse is a powerful statement of intent from Lamar, who seems ready to take on all challengers in the rap game. 'Like That' sets the stage for the explosive back-and-forth between Lamar and Drake that would unfold in the following weeks, with both rappers releasing increasingly personal and vicious diss tracks. The song is a masterclass in the art of the subliminal diss, with Lamar's bars packed with double entendres and clever wordplay that leave no doubt about his target.
First Person Shooter
Drake Feat. J. Cole
First Person Shooter' is a triumphant collaboration between Drake and J. Cole, released as part of Drake's album 'For All the Dogs.' The song marked a major milestone for both artists, becoming their first No. 1 hit together and Cole's first chart-topper overall. On the track, Drake and Cole trade verses about their dominance in the rap game, comparing themselves to the biggest names in sports and entertainment. Cole's verse, in particular, would prove to be the spark that reignited his simmering feud with Kendrick Lamar. Cole refers to himself, Drake, and Lamar as the 'Big Three,' claiming they 'started a league' and comparing himself to Muhammad Ali. The line was interpreted by many as a slight against Lamar, who would go on to respond on 'Like That' a few months later. 'First Person Shooter' is a celebration of Drake and Cole's success and a showcase of their undeniable chemistry on the mic. However, it also serves as a reminder of the competitive nature of the rap game and the way in which even seemingly innocent lyrics can be interpreted as shots fired in an ongoing beef.
Big Sean
Control Feat. Kendrick Lamar & Jay Electronica
Control' is a 2013 song by Big Sean featuring Kendrick Lamar and Jay Electronica that marked a major turning point in Lamar's career and his relationship with Drake. Lamar's verse on the song is a blistering, three-and-a-half-minute tour de force that sees him calling out a who's who of the rap game, including Drake, J. Cole, Meek Mill, A$AP Rocky, and even Big Sean himself. Lamar claims that he has 'love' for his peers but that he's 'trying to murder' them on the mic, asserting his dominance as the king of both coasts. The verse sent shockwaves through the hip-hop community and was seen as a bold statement of intent from Lamar, who was still relatively early in his career at the time. Drake, who was one of the rappers called out by name, responded in a Billboard interview, claiming that he knew Lamar wasn't 'murdering' him on any platform. However, the seeds of their feud had been planted, and 'Control' would go on to be seen as a landmark moment in hip-hop history, with Lamar's verse widely regarded as one of the greatest of all time.